
Festival Reports
Sundance Festival Report, Pt 1
The best of the digital fest so far
Festival Reports
The best of the digital fest so far
Weekly Digest
An online encyclopedia of African American cinema, ten great movies you can't stream, a new book about an old master, and a new film from a new master.
Good Movies 📽
A new Asghar Farhjadi film on Amazon Prime, a new Buster Keaton biography in bookstores -- it's a good week.
Good Movies 📽
It may seem odd for a newsletter that specializes in recommending movies on demand to devote a post to movies that you can’t get on demand, but it’s a slow January, I’ve got a little time before the Sundance Film Festival goes online on Thursday (the physical
Classics 🎞
Maya Cade's encyclopedia of African-American cinema is an invaluable resource
Weekly Digest
A legend leaves us, a cheeky Watergate comedy, and four good bets for weekend streaming
Good Movies 📽
"The Tragedy of Macbeth," a French foodie drama, and more come to VOD
Good Movies 📽
One from the vaults: A cheeky political comedy to cure the January blues
Remembrances ⭐️
The star who changed the movies and the role he had to play
Weekly Digest
Sea-eagles and schlock nostalgia and Peter Bogdanovich and Ben Affleck, character actor -- a busy week, and that's not even counting Sidney Poitier
Good Movies 📽
Is Ben Affleck a better supporting player than a star? "The Tender Bar" says yes. Plus "The 355."
Remembrances ⭐️
For many years, the narrative about Peter Bogdanovich was that he was a wunderkind who lost the knack. After the low-budget meta-monster movie “Targets” (1968), featuring Boris Karloff as a version of himself, Bogdanovich broke through in 1971, at 32, with “The Last Picture Show,” a black-and-white portrait of a